The Slightly Morbid Reason I Write

I was looking back over a book I had abandoned writing a few years ago, and was surprised by the final few paragraphs, which had nothing to do with the novel. They were instead my reflections on hearing the news about my dad’s diagnosis, which would take his life shortly after, and how death is the driving force that keeps me writing. If grief is a trigger for you, I would recommend skipping this post.

I wrote the following back in 2022, while Dad was still around, a few months before he passed.

***

There is no greater sedative than bad news. One month ago, my dad was told he had two months to live.

It was my mum who told me. Called me up, crying. They were leaving the hospital, on their way home. Didn’t want visitors. Needed to process it.

I called David in Spain. Told him. He’s on holiday with Arthur. Mum and Dad were meant to be there but stayed home to wait for the results of the MRI. Dad was told he couldn’t travel.

I’ve always felt that we are marching at full speed towards mortality. My dad took a wrong turn and slipped off a cliff.

I was in the middle of doing the dishes when Mum called and after the phone call I got back to it. Rachel followed me into the kitchen and said I didn’t need to worry about some dirty pots. But I did, because they still needed to be done.

I think I washed one cup before I had to stop. I leant against the counter and stared at the floor. We talked, though I don’t remember what either of us said, and then a spontaneous burst of grief caused me to push away from the counter and sob into that gap between Rachel’s shoulder and neck.

I read somewhere that writers avoid death. I think that’s why I do it.

I write so that when I am gone, my daughter can pick up one of my books and say, ‘There you are, Dad.’

It’s got me thinking about voice. Anything other than death. Voice as in the authorial voice. A lot of creative writing advice focuses on removing yourself from the prose. The author should never be present. I disagree. Whatever style I have is fundamentally me and too much tidying up of the language will remove me from it. I don’t write to deliver a plot. I write to save some part of my soul. That’s not as grand a statement as it sounds. It’s vanity, really. And terror.

Using TikTok to Build a Readership. #1

TikTok is a social media app that mostly involves lip syncing teenagers and dance routines. It is not a place for literature… Seems like the perfect place to chisel out a niche.

If you are unfamiliar with the format, here are the basics:

There are three ways to post content; a 15 second video, a 60 second video, or a photo montage.

You can easily add special effects and filters. You are limited to 100 characters in your description, which must include your hashtags.

You film your short video, post it, and with any luck you start to amass likes and followers.

I am new to TikTok but I thought it might be interesting to share any insights and tips that I glean along the way.

Here is the first TikTok I made with my manifesto –

https://m.tiktok.com/v/6781552820412763398.html?u_code=d75g03f9lil9kf&preview_pb=0&language=en&timestamp=1579162652

I’m writing a dark fairy tale horror based on the Brothers Grimm story, Gnome. I will be documenting my progress and process regularly.

I will also be posting writing tips (sometimes serious, and sometimes not so serious, as in the TikTok below).

https://vm.tiktok.com/XwphSb/

It is important as authors that we experiment with different ways of reaching and interacting with readers. This TikTok thing might crash and burn, but it might not. Either way I’ll be doing weekly updates with stats right here on my blog. So please follow me if you are curious about how this goes. Maybe you’ll decide to take to TikTok too, in which case you must let me know; we’ll do a duet.

I’ll get into TikTok duets in another post but, should I gain momentum, a duet is a way of giving new TikTokers an introduction to like minded followers. We’ll grow together.

The link below will take you straight to my TikTok profile. Feel free to cringe at my early attempts at content. Eesh. It’s a learning process, right? And don’t forget to press that follow button!

https://m.tiktok.com/v/6781552820412763398.html?u_code=d75g03f9lil9kf&preview_pb=0&language=en&timestamp=1579162652

So, I’ve been on TikTok for three days so far. At the bottom of each TikTok update on this site I’ll publish my stats so you can see my growth and decide if it would be a worthwhile venture for yourself.

I’ll share my failed posts, my successful ones, everything; the good and the bad. Things are going to get experimental and weird. Until next time.

Andy

Drowning in the Land of Madness (Day 4)

This morning we had breakfast and then caught a bus into Flagstaff. Currently we are wandering the empty streets in search of a famous road. So far we have only found a gun shop and a petrol station. No sign yet of the Historic Route 66. For that famous road is the reason we are here.  

A road with a no doubt glorious history that I have yet failed to come across in my admittedly lacklustre attempts at research. The first road to be built in England was in 46AD by the Romans. 1,880 years later, in 1926, Route 66 came into being. 59 years after that, in 1985, it was decommissioned. We have castles, they have tarmac. America is, to be fair, a young country. And of course, we mustn’t forget, our history is also theirs. Most Americans did after all hail from Europe. A point they often forget, especially when expounding ignorant slurs towards immigrants in the never ending political debate pushed by the too often right wing televisual slop that is USA broadcasting.

We come across a 10ft statue of what seems to be something of a mascot for this town; Louie the Lumberjack. He wears a yellow t-shirt and a red woollen hat. His hands rest on the end of an axe handle with the head of the axe between his feet. I’ve never seen a statue look so sad. I step up onto the raised platform and put my hand on his arm sympathetically, “What’s getting you down buddy?”

I mimic his pose while David takes a picture. Louie has a seriously glum expression. It’s like he has the world on his shoulders and he just doesn’t give a shit about it. All he wants to do is have a nice cup of hot chocolate and a good cry.

It turns out that poor Louie the Lumberjack has a good reason to be sad. In 2004 Louie was the victim of vandalism. According to azdailysun.com he was, “knocked down, broken at the ankles, decapitated and had his axe head broken off.” Thankfully, after $3,000 of repair, the poor fella was back on his feet.

We find Route 66 and are mostly underwhelmed by it.

***

“Where are they all?” I say, removing a chocolate covered curiosity out of a small pink paper bag and eying it suspiciously.

“Where are what?” says David.

“All the women?”

“I don’t think there are supposed to be any women on your chocolate.”

“No, I mean everywhere. I’m just worried about eating this. Want to try a bit?”

“No. I’m good with my fudge.”

“Mum?” I say, offering her a bit. I shake the bag temptingly.

“I’ll try it.”

She takes a piece out of the bag and puts it in her mouth. She chews thoughtfully. I have a piece as well and join her in thoughtful contemplation of the curious taste event that is happening on my tongue. “I don’t know. What do you think?” I say.

“Not sure. It’s not really bad, and it’s not really good either.”

I swallow. “Why did they make this?”

“America,” she says, “They seem to think it’s a desert thing. They eat it with strawberry jam for breakfast.”

What are we eating? Could this be what the Christians have been talking about? The Immaculate Confection? Let me enlighten you. We went into a sweet shop called The Sweet Shoppe and Nut House. In that shop they sold strips of bacon that were covered in chocolate. How could I resist? Meaty chocolate. Surely this is heaven on earth. By Jove (feel free to ignore this parentheses clause, but, you might be interested to know that “Jove” in this use is the Roman God of the bright sky, and not the Christian Jove, which would be very blasphemous in this country. And, God damn it, I am not that guy! Again, this bears no relevance to this conversation, hence the original clause to ignore it) it is good… but then not so good. After that bacon taste is adrift with the saliva what is left but a slightly meaty cocoa? You put a piece in your mouth and are treated to some very nice chocolate. And then you bite into it and the smoky taste of bacon fills your mouth. I like the taste of both things. God bless the diabolical and unashamed pursuit of being a fat-ass in this country. I assume the Nut House part of the shop name refers to the insane candy maker I imagine lives in a dark cave somewhere under the shop maniacally designing unnecessary candy, like an evil Willy Wonka.

“What’s that got to do with women?” says David, returning to my original comment.

“Not a great deal. But we still haven’t come across any.”

“What about the singing waitress?”

“Yes, I forgot about her. So that’s a total of one? We have so far come across one young female. I reckon they’re being harvested for something.”

“I still think they’re hiding from us.”

The rest of the shops in this small town aren’t worth mentioning. Except for a new-age shop called Crystal Magic that had an endearing dog that slept in the entrance and sold a very curious object (the shop I mean. The dog wasn’t selling anything as far as I’m aware). It was a globe of the earth that spun continuously and claimed to be powered by perpetual motion. I’m not sure what gimmick lies at the heart of its spinning but if it is perpetual motion someone should really tell a scientist about it. We will have to change everything we now about Thermodynamics and all the world’s problems regarding energy and fuel will be solved immediately.

We cross the railroad tracks to the other side of town to a bar called Lumberjacks for a drink.

“IDs please gents,” says the waiter to me and David. We reach into our wallets and produce our UK Drivers Licences. The waiter looks at them scornfully. “I can’t accept them. I won’t be able to serve you drinks.”

“Are you fucking kidding?” I say. Good god, you should see the look on his face, I think it might be the first time he’s heard a swear word.

“Rules are rules,” he says, snapping out of his bewilderment.

“We are both past 30.”

“Do you have any other form of ID?”

“No. Unless you accept facial hair?”

And so it is that we end our little day trip to the town of Flagstaff being forced to order soft drinks and coffee. The horror! The horror!

You cannot truly relax on holiday unless you are in some way inebriated. If you find yourself taken by a whim to moisten your parched lips with a cold pint, or to dive blindly into the abyss of madness that is total obliteration, you should, at the very least, be in the position to prove to a stranger that you are not a child. When we get back to the RV my passport is going directly into my pocket where it shall stay should the situation arise again. But still, for now the drinking can wait. Is there really any point to it anyway? Christ! What am I saying?

Undeterred by our sobriety we catch another bus to the Flagstaff Mall on the outskirts of town.

We are on a bus sitting all in a row. The people occupying the seats facing us are all strangers to each other but it took me a while to work this out. I saw them all get on at different stops but they interact in a way that, in England, would seem improper. They were talking to each other… on public transport. The innate friendliness that makes this brand of human seem so fake, or shallow, to the likes of us unsentimental and cold bastards from England, extends way beyond what I thought was just good customer service. They do it in private too. In trying to deduce the reasons for the dissimilarities between Americans and Brits I sometimes wish I had the inductive (and not deductive as people are mistaken to believe) capabilities of that famous autistic sociopath Sherlock Holmes. But I don’t. I can only assume they were raised better than us.

A man gets on the bus. He has tattoos, baggy jeans, a pierced eyebrow, and frown lines that are shadows of many a scornful scowl. Here we go, I think, this guy will bring back some hostile normality. He takes a seat at the back of the bus, and smiles at the old guy next to him. They immediately begin to share pleasant and idle chit-chat.

Having come to no real conclusions as to the reason for their friendliness (again, not a bad thing) the man in front of me (who is white, in his 40s, and looks like a bit of a hiker) does something that must surely even be strange to Americans. He reaches into his rucksack and takes out a half empty bottle of water. He takes a sip and offers it to the Mexican woman next to him. She takes it without a word, gladly drinks about a quarter, and hands it back. She doesn’t say thank you. He puts it back in his rucksack. The exchange happens as if it is as common as a hand shake. Perhaps the hot climate here has made water a necessity that has become an openly shared thing in the community. Or maybe this is all very normal and I am a very sheltered and miserly individual that has, by ignorance of the true nature of humanity, been perpetuating a very selfish and rude persona of myself. Especially when it comes to sharing fluids. And there I was thinking I was one of the good guys.

The bus arrives at its final stop at the Flagstaff Mal. The mall is an uneventful shapeless building that is notable for only two things –

1: Meat sauce.

2: Evil automatons.

Since my parents arrived in this fine country they have been on the hunt for pâté. In England pâté on toast was one of Dad’s favourite things to have for breakfast (coming a close second I expect to a good old fashioned full English fry up. Good god I could eat one of those right now). They simply don’t have pâté here. Try to explain to a shop assistant what pâté is and they will imagine it with a grimace. “Meat that you can spread?”

“Yes. Are you sure you don’t have any?”

It does sound kind of gross now I think about it. But you’d think they would lap it up over here, they have meat every other way imaginable. Even in chocolate a we discovered earlier.

We enter the mall and find ourselves in the food court. On the right is a burger takeaway, and just past that a pizza one. On the left is a Chinese buffet takeaway and then a curry place. American, Italian, Chinese, and Indian, and all of them staffed by Mexicans. Yet, sadly, there is no Mexican food to be found anywhere. In the centre is a field of chairs and tables that are used by all the food outlets.

I order the most American thing I can find; a double cheeseburger with meat sauce. Meat sauce is sauce that is made out of meat. Need it be said? Is it nice? Kind of. Having tried a spoonful before properly tucking in I can tell you that it is like drinking a burger.

We devour and conquer our food and go for a wander. We enter the first shop and it’s as if I have entered some kind of nightmare. All around me, as I walk down the aisles, fucked-up robots jump out at me. It’s a Halloween shop. In England Halloween is a chance for kids to dress up like princesses and get some free candy. It is a sadly uneventful holiday that is getting sadder by the year. But not here. In America Halloween is a holiday with a chip on its shoulder.

The automatons react to sensors and scare the shit out of me every chance they get. Freaky dead kids with their spines arched backwards and awkwardly shaking and screeching like a demented human/crab hybrid. I step on a sensor and a horrifying monster wails to my right and I lurch out of its way in time to see a dead baby scurry up the wall. We make our way around the shop hesitantly, ready to fight back if we have to. At the back of the store I come across two halves of two babies that have been stitched together at the waist. It looks like a cat with arms for legs and a face at each end. I kick it experimentally to see if it’s programed to jump and scare the pants off me. This one at least does not spring forth and attack. The dead child on a swing next to it however does. I nearly punch the creepy little fucker in the face and run for the door. Goddamn these crazy fucking toys. My daughter would have had nightmares for the rest of her life had she been here to see this. The crappy automated witches and skeletons we get back in England are enough to terrify her. But dead babies and screaming girls in night dresses? That’s another level.

There is nothing else to tell you about Flagstaff. I can only suggest you never visit it yourself. Unless you crave the abys of boredom.

 ***

We have a BBQ when we get back to the RV. David opens the blue cheese sauce and half of it squirts out of the bottle in one fierce eruption.

“What the fuck are you doing?” I say.

He laughs and a dollop of blue cheese falls from his chin. “I didn’t do anything. It just sprayed out by itself.”

“Sure it did,” says Mum.

I crack open a beer and move the sauce away from his vicinity. “Nobody let him near the rest of the condiments.” I say, “He can’t be trusted.”

He has strong builder’s hands, my brother, and doesn’t realise the strength of his own grip. Now the silly bastard has a paddling pool of blue cheese covering his gammon and nobody to blame but himself.

I will not bore you with the rest of the day. I will only tell you that we ate, drank, and went to bed. I will however tell you about the vision that currently has me in its grasp.

You will have to trust me that what you are about to read is an honest account of what I see before me. I am hallucinating. You shouldn’t be concerned about this, it happens from time to time, normally when I’m sleeping in a strange place and occasionally at home. It’s just never been this odd before. Normally I see bugs, or birds nesting in my curtain rail, or the walls and ceiling covered in vines, or hundreds of spiders (the usual stuff) but this, this is something different. (It is happening more often recently at home for reasons I haven’t been able to determine. Maybe because I live on my own now and my subconscious gets a kick out of messing with me. Normally I switch on the light on my bedside table and whatever I’m seeing vanishes. The weekend before I flew out here the table light wouldn’t work and I had to get out of bed and navigate around two weird fucking monsters that had taken residency in my room. One was on the swivel chair at my desk, looking over the back of it at me with a small sad face lit by the moon. The other stood still at the corner of my bed with a head like a giant elastic band ball. These hallucinations don’t scare me anymore. They used to. But now I know they are only a hangover from a dream I can’t quite shake off, or wake up from, and never has one of these visions ever tried to hurt or talk to me. I have become used to them. I watch them with curiosity now. I take note of how vividly real they are. I walk around them without taking my eyes off them until I turn on the light and when I do they always vanish. It’s the trigger that finally wakes me from my conscious slumber. But one day they won’t vanish with the light. That is when the fear will come. This kind of madness is called Hypnopompia. It’s harmless fun. I have other sleeping issues too; Hypnogogia, Sleep Paralysis, lucid dreams. If you’ve ever been lucky enough to have a lucid dream you’ll know just how fun this particular kind of problem can be).

But anyway, back to the current. Here I am. In the RV. Enjoying my slumber when something stirs me from my sleep. I sit up slightly. My eyes adjust to the dark and I see a figure standing in the kitchen area looking down at my sleeping brother. It, or he, I think it’s a he, is wearing a velvet suit and has the head of a cat. It puts the revolver it is holding in its paw down on the kitchen worktop and then reaches up and places his paws on his cheeks. He pauses for a moment and looks quietly down at my brother. Then he tenses his arms and lifts his head off his shoulders. He drops his head silently in the bin, takes a step back, and disappears into the shadows.

Seeing a cat remove its head serves no purpose that I can think of. There is no use in trying to find meaning here. We all have odd dreams. It’s just that sometimes they stick around after you wake up. I lie back down and close my eyes.

Beyond the Cogs

Cogs

I’ve been standing in my lounge now for nearly an hour. You ever done that? Just stood there. Doing nothing.

I got home from work. Came in. And just stood there. I wasn’t thinking about anything. Or, maybe I was feeling something. Ideas are hard to explain. You don’t think in words, or maybe you do (who can really know the minds of others), thoughts just are. You have them. You don’t word them out.

The trick to solving the riddle of life is explaining a truth that you feel but don’t own. I wasn’t in a state of meditation I was in a state of loss. It’s wrong, you know, the way we do things. We have created elaborate social structures that most of us are unhappy with but, as a whole, we strive to maintain. None of it makes any sense.

Do you ever find yourself in a shop looking at an ornament that is designed only for you to purchase and then put in your house? A purposeless thing that might be cheap or might be a serious consideration financially. You think one of two things. One: this would look good in my house. And two: this doesn’t fit with my colour scheme. Do you ever hold that thing and just look at it. Just look at this decoration and feel the absurdity of modern life collapse around you?

Reality begins to break and before you know it you’re walking down the street, your car left unlocked somewhere behind you, just wondering why the fuck everyone is trying so hard to maintain this odd living situation we’ve all made for ourselves.

I’m the worst. For someone struggling with the idea of a fabricated and mostly aesthetic society, I spend my days as a delivery man, going out of my way to help people fill their homes with pointless shit. And I get paid to do it so I can buy shit that someone else gets paid to deliver to me, so he can buy shit to be delivered to him. I work six days a week doing this. How about we all stop buying crap we don’t need so I can have a fucking day off?

Just one day. Nobody buys a thing. All the delivery drivers will get a day to see their families. All the things that weren’t bought that day won’t need to be made, and all those people can take the day. How about we all take a day off at the same time. Everything will be closed because everyone will be off. And let’s all just chill out for a day. Let’s see, as a species, together, what it’s like when everyone stops for a moment. No road works, nobody reading the news, the radio is tuned to static, the fire stations are unmanned, submarines have risen to the surface, scientists have powered down the telescopes, cows are going un-milked.

 “That’s a good idea, I can finally get around to cleaning my car.”

No. No work. Leave your car be. No decorating the lounge, no mowing the lawn, no day to finally get your accounts together. The pubs are shut, you can’t even go for a beer. It’s just you and the people around you. We can cook and we can drink what we have. If you run out of anything? Ask a neighbour. They’ll be happy to share this unusual day with you.

I bet it will be a day remembered as one of the strangest, hectic, interesting and happiest days in all of history. If we let it carry on for a week, or a month, or longer, the riots would cease and the community will naturally grow to a more humane balance between work and pleasure.

On that day, when humans are just being human, with no Instagram or fashion shows, try and see life move with its façade removed. See the cogs. The meaning of life is just behind them.

 

Tripping the Night Fantastic – Chapter 2

Knock, Knock, Knock. Simon waited for a few seconds.

Bang! Bang! Bang!

Inside Charlie’s apartment something stirred under a bed sheet.

Bang! Bang! Bang! ‘Charlie!’

Charlie opened his eyes, a little confused and world weary thanks to a large bottle of Jack Daniels the night before.

Bang! Bang! Bang! ‘Charlie! Open the door!’

Charlie sat up and climbed out of his bed.

Bang!…

‘Shut up! I’m coming.’

Charlie un-chained the door and opened it. Simon Squeezed past him and went straight to the kitchen.

‘What?’ Charlie demanded wearily.

‘It’s Tuesday, we have to be at the studio in an hour.’

Charlie’s face tried to respond and failed, so far only his legs, eyes, part of his brain and at least one of his arms was completely awake. He tried speech ‘nmph?’

‘GMTV. I’ve got you three cups of coffee, drink this.’

Charlie took the coffee.

‘And a bacon and egg sandwich,’ continued Simon.

‘mm.’

‘Eat your sandwich and get in the shower, I’ve got you a new shirt and some razors.’

‘You’re ever so nice.’

‘I know, now get in the shower.’

Simon edged him toward the shower and gave him his second coffee as he entered and closed the door behind him.

‘Make sure you shave!’

‘Alright, stop shouting.’

 

Fifteen minutes later the shower door opened and out came Charlie. To Simon’s astonishment he actually looked close to presentable.

‘Right, you look good, let’s go.’

‘Wait, wait… wait.’

‘What?’

Charlie looked around his room and grabbed his keys, a small cantina and half a cigarette out of the ash tray.

‘Ok.’

 

In the underground car park Simon unlocked his car. Charlie looked at him with an expression like pity.

‘What are you doing?’ said Charlie.

‘Getting in the car.’

‘We’re not taking your car we’re taking mine.’

‘Really?’ Simon ran a disapproving eye over the trashed vehicle, ‘why don’t you buy a proper car?’

Charlie composed himself and prepared his fragile mind for coherent conversation.

‘It’s not about how new and shiny a car is that makes a car great. I’m not getting in your car; it has no handbrake and no keyhole, so in my book it’s not even a car. Having no keyhole is like a woman having no vagina.’

‘Charlie it’s a modern car, this button is the hand brake, and it doesn’t have a keyhole because you start it with a button.’

‘Your sexless freak of a car is the automobile equivalent of a blonde-tipped, spiky haired prick with no penis, whereas my fucked up little Jaguar is the car equivalent of dishevelled rough sex.’

Simon closed his car door and got obediently into Charlie’s.

 

Concise and in control is how Charlie would describe his driving. Most others would describe it as erratic, dangerous, fast, and suicidal. Neither is right, he actually drives in a way that is both oblivious to other road users and apparently, as he has never crashed, safer than flying. In-fact, his record is so clean that being driven by Charlie is statistically safer than driving. It is frightening nonetheless.

Charlie spoke loudly over the sound of the engine.

‘Now your wife has a good taste in cars.’

Simon looked at him suspiciously.

‘How do you know what my wife drives?’

Charlie took no notice.

‘A 1971 British Leyland pick-up 4×4. Cool car.’

‘I’ve never introduced you.’

‘It even has a damn snorkel and a roll cage!’

‘Charlie!’

Charlie looked at the slightly panic stricken face of his agent.

‘Not getting paranoid are we Simon? She dropped a box of books to my last book signing. You weren’t in so she offered.’

‘She’s been acting strange recently, that’s all.’

‘Of course she’s acting strange, she’s a woman. It’s when she starts acting normal you have to worry. It is a cool car though.’

‘It’s not hers her dad left it to her.’

‘Simon, fucking relax.’

‘You’re right. I’ll start acting like you shall I? Get drunk for days on end, eat shit, swear at everyone?’

Charlie pulled the car up outside the studio and stopped the engine.

‘Sure, if you want to.’

‘I wasn’t agreeing with you.’

‘Ok.’

Charlie gave him a friendly pat on the back.

‘You know, it’s a pretty easy life, just doing what you want.’

‘Yes, I’m sure.’

 

A man in a suit was waiting by the entrance of the studio. He noticed Charlie and Simon and waved them over.

‘Ok, that’s the producer. He’ll brief you before you go on. You must do what he tells you. Marcus, how are you!’ Simon called from a distance.

Marcus ushered them to hurry up.

‘Simon, I didn’t think you were going to make it,’ said Marcus.

‘It’s nice to see you again,’ said Simon.

‘And Charlie,’ said Marcus turning to Charlie, ‘I’m a big fan of your work, very funny stuff, glad to have you on the show.’

Charlie considered this interesting critique of his work and replied dryly, ‘My next book is about a blind alcoholic orphan. She gets raped by a ghost and spends most of the story sitting in a dark room swearing at the walls until she finally dies of aids.’

The good thing about people like Marcus, or anyone who has a job that involves holding a clip board and having a wire leading to your ear with people telling you to tell someone else to hurry up, is that they never really hear anything anyone says to them. This is why his response to Charlie’s reply was, ‘Looking forward to it. The green room is on the right. The makeup girl will be with you in a few moments.’

Charlie looked at him like a wizard looks at a clown.

‘I fucked your dad,’ he said.

‘Hm?’

 

Charlie sat in the green room staring at the mirror.

‘Simon.’

‘Yes?’

‘Do you really think people who watch GMTV actually want to read my books?’

‘Yes.’

‘The only people who want to read my books are either drunk students or bored serial killers.’

The makeup girl came in wearing a short mini skirt and a low cut top. I would describe her in more detail but I’m not sure it’s necessary.

 

To Simon’s initial relief Charlie seemed to be behaving himself on set. He answered the questions well with a light sense of humour and gave witty anecdotes about how the book was written. He even offered to sign a copy for the interviewer, Ben Shepherd. (It later transpired that Charlie had just drawn a picture of a penis with a smiley face on the tip and the word BEN in big letters along the shaft). The segment came to a close with a final question.

‘Thank you for coming on the show. We’re all big fans. What do you have planned for the rest of the day?’

Charlie smiled and said, ‘I think I’m going to fuck your makeup girl.’

Ben went red.

‘Err… sorry about that ladies and gentleman. We’ll see you after this short break.’

 

Charlie and Simon hurried back to the green room to get their things and get out before the producer had a chance to come down on them.

‘What the hell is wrong with you?!’ said Simon.

‘What? He was asking for it.’

‘How does Ben Shepherd “ask for it”? He’s the most unthreatening man on TV!’

‘He said he was a fan of my book.’

‘How is that a bad thing?’

‘He’s never read the book.’

‘How do you know that?’

‘It’s Ben Shepherd! He’s never read any book! He would struggle with The Very Hungry Caterpillar!’

‘What!?’

‘Exactly!’ Said Charlie.

‘You won’t be allowed on ITV again and the BBC probably won’t have you.’

‘I don’t really care.’

 

Tripping the Night Fantastic – Chapter 1

A monster, of indescribable horror – ravaged by booze and lack of sleep – sat at his laptop. Charlie Deavon; an unholy disgrace, stained shirt, stained boxer shorts, wild hair, harassed unshaved face, a dying cigarette hanging from his mouth, and on his desk beside his laptop, the potion that keeps his appearance so ruggedly shambolic; a half dry bottle of scotch.

The room was dark and his tired nicotine-aged face was lit up from the light of the monitor. He took a final drag from his cigarette and dropped it in a half empty glass of whisky where it turned grey and died with its two dead cigarette companions.

The cursor blinked. Only six words were on the screen:

Amelia Heart, is going to die.

 More words try to find their way to Charlie’s fingers but fail miraculously. Not because he has writer’s block, he is just a lazy drunk with no appreciation for deadlines; a common ailment for many writers.

He turned his head and stared impassively at his bed in the other room. He looked back at the monitor for a moment, made a sound like ‘mph’ and then closed the lid. He managed to slump from his study to his bedroom and land on his bed with less effort than is possible to describe.

His bed was a stained mattress on a carpet-less floor. The wallpaper was old and nicotine stained. The ceiling lights didn’t have light shades and the curtain was an old damp towel slowly getting heavier with mould.

The digital clock on the floor blinked slowly. He turned his head and looked at it, unsure if his eyes were tired, hung-over, still drunk or simply still closed. He could just about make out the time; 6:30am. He stared at the ceiling.

3 hours later the alarm went off. Not a nice tune or the radio, just a beeping drone. A few dramatic moments later and the towel landed heavily on the lawn outside followed by a shower of glass. Inside the towel the alarm clock beeped lamely on. A neighbour shouted the word ‘cunt’ in Charlie’s direction. Charlie stood naked in the smashed window. He showed his neighbour his middle finger and then headed into the kitchen.

The kitchen occupies the same space as his lounge. The fridge consists of one rasher of bacon, three cans of beer, four empty cans of beer and a courgette. In the cupboard are one can of beans, a full packet of pasta, a packet of custard creams (half empty), some tea bags, a jar of coffee, and a pile of newspapers. In the toaster is a failed experiment; it turns out that it is not quicker to cook an omelette in a toaster. In-fact it takes longer and is far more dangerous.

After several minutes of staring at the courgette, and wondering where it came from, he slammed the fridge door and stared blankly over at the laptop for a minute. He opened the cupboard again, stared for a while, and then came to a decision and grabbed the closest things to his hand. Tea with a spoon of coffee and a packet of biscuits would be today’s breakfast.  He sat on his couch and wondered once again why he doesn’t own a TV. He leaned back to reach for the half-full bottle of scotch on his desk, nearly knocking it over, and poured some into his coffee/tea. He made a sound ‘urghmph’ and had a sip of his brew.

A phone started ringing. A slight dread fell over Charlie’s brain. This ringing sound meant he would have to impart some brain activity, some physical movement, and finally speech. Three things he had absolutely no interest in doing. He looked left and then right and then down. He dug it from under him and looked at it. He answered it and put it to his ear.

‘Charlie?’

‘Eurh.’

‘Charlie! It’s Simon, what are you doing today?’

‘Mmpth.’

Charlie stared at his tea/coffee/scotch and wondered if he’d rather talk to that instead.

‘When can I come over and see a few pages?’ said Simon.

‘No.’

‘Ok. I’m coming over. I’ll bring Starbucks and some food.’

‘Fuck off Simon.’

Click.

 

 

Ring Ring.

‘Charlie, I’m in Subway, what sandwich do you want?’

‘Don’t come to my house.’

‘I’m having a Foot-long Meatball Sub, I’ll choose something for you shall I?’

‘I’m not letting you in when you get here.’

‘I need to see you.’

‘Fine. I’m coming to your office. If I get there before you I’m going to dismantle your desk.’

‘Charl…’

Click.

 

 

Simon put his phone back in his pocket, gave the girl behind the counter £10, and grabbed the sandwiches. He checked his genuine Rolex watch and ran outside and across the road to his car.

 

 

Charlie left his apartment and stumbled haphazardly into the bright offensive sunlight outside. He shielded his eyes from the day’s carelessly cheery mood and got in to his car.

Charlie’s car is a 1993 V12 Jaguar XJ-S. Its dark blue paint is faded from years in the sun, the passenger door is a faded race-car green colour from where it was replaced but never re-painted, the rear bumper is held on by wire ties, the air conditioning doesn’t work and only the driver side window goes down without requiring a mechanic to get it back up again. But the CD player works and the engine starts with the kind of rumbling purr that makes your heart fill your lungs.

Charlie sat in the driver’s seat. This is one of the only times during Charlie’s normally miserable day when his smile is actually genuine. Even the dry heavy feeling of a hangover takes a back seat while pure juvenile pleasure takes over for a while. This is Charlie’s perfect car.  The engine misfired causing the exhaust to vomit black smoke and the car turned a corner and drove off towards Simon’s office.

 

 

Simon parked in the underground car park of his office. He slammed the door of his brand new white Audi A4 and made for the fifth floor as fast as he could. His secretary was sitting at her desk looking slightly violated. Simon sent a questioning glance her way which was returned with a worried look towards his office door, which was slightly ajar. Simon relaxed and prepared for the worst.

He edged the door open and looked inside. Everything seemed in order. He looked to his right. Charlie was sitting on one of the comfortable chairs against the wall in his office with a smile on his face. Simon looked suspiciously at him and sat down behind his desk.

Charlie had his right foot resting on his left knee in the most nonchalant way imaginable. His boot-cut jeans were torn around the heel of his scuffed brown shoes. Three buttons remained un-fastened on his shirt, the sleeves were half rolled up in a way that suggests the wearer couldn’t care less if they were up or down and, although his shirt isn’t tucked in, you could just make out a brown leather belt being held tight by a pretty average and uneventful belt buckle. Simon looked suspiciously around the room. Charlie spoke.

‘I pissed in your plant.’

Simon looked over at the plant and then back at Charlie.

‘I got you a turkey Sub,’ he said, handing it to him.

‘What do you have in yours?’

‘Meatball.’

‘Give me yours.’

‘No.’

Charlie stared at him.

Simon gave in.

‘We can split it,’ said Simon.

Simon gave Charlie half of his Sub and took half of Charlie’s. Simon took a bite out of his and decided now was the best time to talk.

‘Mm, So, mmph, how many err, pages have you done?’

‘You’re the reason I hate people,’ said Charlie.

Simon swallowed.

‘I don’t mind if you haven’t written very much, I just need to see what you have written.’

‘If you carry on being nice to me I swear to god I’m going to kill you.’

‘Charlie, I’ve arranged an interview with GMTV for next week, they want to talk about the film deal and re-release of your first book and they’re really eager to hear what your plans are for your next book. And there will be some fans there so take a pen so you can sign things.’

‘I’m serious. I will throw you through the fucking window. I know there’s a bastard in there somewhere!’

‘Come on, Charlie, stop being a twat.’

‘Oh! Simon! That’s more like it! Come on, touch me.’

Charlie lifted his shirt and twiddled his nipple with a finger.

‘No. Are you finished?’

Charlie folded his arms.

‘I haven’t written anything,’ he said.

‘I know.’

‘How?’

‘You’re always like this when you can’t write.’

‘I can write. It’s just the lack of plot that’s the problem. And the lack of characters. Just the lack of book in general is the problem. What’s the rush anyway?’

‘If you’re off the shelf for too long people will forget about you.’

‘Good.’

Charlie opened a bottle of scotch from Simon’s alcohol cabinet and poured two glasses.

‘Are you finished for the day?’ he asked.

‘No, Charlie, it’s 10am.’

‘We’re going to the pub for a business meeting about drunks,’ Charlie smiled ridiculously at his own infantile sense of humour.

‘Charlie.’

‘Stop being a fucking cunt and drink with me! I’m shit bored and hanging out with you here is making me more bored so if we have to spend time together you have to be pissed! That’s the rule from now on. Ok?’

‘No.’

Charlie put a glass of scotch down in front of Simon and downed his own.

‘Charlie, I have a lot of work to do.’

Charlie put on his best Simon impression, which sounds more like Bugsy Malone than Simon, and shouted.

‘Receptionist, hold my calls! I’m going to be away from my office for the rest of the day!’

Charlie, feeling pretty proud of himself, looked smugly at Simon. Simon looked wilfully back.

Amanda poked her head into the office.

‘Do you want me to hold your calls?’

Simon threw what was left of his sandwich in the bin and brushed bits of sandwich off his shirt.

‘Yes, hold my calls, thank you.’

‘HA!’ exclaimed Charlie, feeling victorious.

Amanda left the office without looking at Charlie.

Simon picked up a schedule from his desk and walked over to Charlie.

‘I’m giving you a schedule, there are only two things on it, GMTV and casting auditions for the film, I need you to remember them.’

‘You’re not coming to the pub are you?’

‘I’ll pick you up on Tuesday morning at 6am for GMTV, please try to be awake.’

‘I make no promises.’

 

Charlie left the office and wandered around the building for a couple of hours trying to find something interesting to do or disrupt but no one took much notice of him. A receptionist gave him a funny look when the elevator opened to reveal Charlie’s rear mooning at her. A security guard told him he wasn’t allowed to beg on the premises, and an old writer friend stopped him to congratulate him on the success of his last novel to which Charlie replied, ‘Go fuck your book’. Finally he went home to immerse himself in his favourite, if only, past time; drinking.

Expunging Life

used-tissues

Here comes the awful thing.

It was stuck, but now it’s free.

Trapped in the silk.

 

The paper colony, wasted

A city of would-be men

In a crumpled page

 

Flush the city of worms

The tadpole manly things

Searching the U-bend

 

No eggs in there my friends

Death to the millions

That could be anything

 

Except people. Or much else.

The Obscene and Criminal Malice Inflicted by Time

End

You know when you lose your TV remote and it drives you crazy. You look everywhere. You search frantically, chucking the pillows off the couch and lifting it up to look underneath. You check under newspapers and lift up the rug. How can it have disappeared? It’s a TV remote! After looking everywhere you finally give up and sit down, defeated and dejected. After your internal tantrum has abated, after you’ve mentally blamed everyone and everything that could have caused it to vanish, including the cat, you finally calm down and look up at the TV. And there it is. Right in front of you, on the TV stand. Of course it is. It’s obvious now. The thing you were looking for was right there in front of you the whole time. For fuck sake.

I have that feeling. I have it all the time. The problem is, that moment of sitting back and finally finding it hasn’t come. I don’t even know what is missing.

It is that feeling that makes you want to travel. The urge to explore. You don’t know what it is you expect to find but you’ll be damned if you’re going to stop looking before you find it. But it’s not just that. And it’s not just travel. It’s everything. You don’t just want to explore new lands, you want to learn everything. You want to try everything. All the food. All the music. All the booze. All the knowledge. Time is being pulled from our veins with each passing minute. Aging us. Every day that passes, every second that tics, every Christmas that zooms past; we are being killed by the calendar, one day at a time. Fill those days before they are rudely taken from you.

You don’t have to pack up all your shit and spend the rest of your life travelling. That would be a form of hell for some. It is a feeling that surrounds everything. You wish you had learned how to play the piano when you were younger. You can buy a second-hand piano or keyboard for £20. Get one. Learn how to play it. You will love it. Want to write a book? It costs nothing. Just start typing. It doesn’t matter if you know what you want to write about. That will come. Just start slinging words together and see what happens.

People have no urgency. People don’t seem to want to do anything anymore. They are content dedicating their life to a career. Have a career, why not, I have one, get promoted, do good work, but be ready to put your foot down and leave work early to go to your kid’s school play. Let your job pay for the things you love. Don’t miss out on life so you can get more money. You want that money so you can have a better life so what is the point if you are giving up on life to get it?

I write because I’m going to look back tomorrow and release that yesterday was thirty years ago and I have left nothing solid to justify the wasted years. I write so I can trap time and keep it there.