The Slightly Morbid Reason I Write

I was looking back over a book I had abandoned writing a few years ago, and was surprised by the final few paragraphs, which had nothing to do with the novel. They were instead my reflections on hearing the news about my dad’s diagnosis, which would take his life shortly after, and how death is the driving force that keeps me writing. If grief is a trigger for you, I would recommend skipping this post.

I wrote the following back in 2022, while Dad was still around, a few months before he passed.

***

There is no greater sedative than bad news. One month ago, my dad was told he had two months to live.

It was my mum who told me. Called me up, crying. They were leaving the hospital, on their way home. Didn’t want visitors. Needed to process it.

I called David in Spain. Told him. He’s on holiday with Arthur. Mum and Dad were meant to be there but stayed home to wait for the results of the MRI. Dad was told he couldn’t travel.

I’ve always felt that we are marching at full speed towards mortality. My dad took a wrong turn and slipped off a cliff.

I was in the middle of doing the dishes when Mum called and after the phone call I got back to it. Rachel followed me into the kitchen and said I didn’t need to worry about some dirty pots. But I did, because they still needed to be done.

I think I washed one cup before I had to stop. I leant against the counter and stared at the floor. We talked, though I don’t remember what either of us said, and then a spontaneous burst of grief caused me to push away from the counter and sob into that gap between Rachel’s shoulder and neck.

I read somewhere that writers avoid death. I think that’s why I do it.

I write so that when I am gone, my daughter can pick up one of my books and say, ‘There you are, Dad.’

It’s got me thinking about voice. Anything other than death. Voice as in the authorial voice. A lot of creative writing advice focuses on removing yourself from the prose. The author should never be present. I disagree. Whatever style I have is fundamentally me and too much tidying up of the language will remove me from it. I don’t write to deliver a plot. I write to save some part of my soul. That’s not as grand a statement as it sounds. It’s vanity, really. And terror.

Prop Up Your Writing

I’m currently writing a pilot episode for a tv show (an original idea that nobody knows about yet), and I needed to get more inside the head of the main character than I was. He is Fletcher Madoc, an internationally renowned sceptic and debunker of conspiracy theories and myths.

On the wall of Fletcher’s office is the iconic poster from Fox Mulder’s office in the X-Files, but he has covered the words I WANT TO BELIEVE with the words IT’S ALL BOLLOCKS.

Trying to make fictional people feel real is an important and tricky thing to get right. I highly recommend bringing their reality into your own.